A short discussion of glass paperweights:
Paperweights were first made in Europe, probably in Venice in the late 15th century. Some of the earliest surviving examples were made in France from about 1750 onwards and in England from the early 1800's using sulphides (ceramic cameos) as the centrepiece in a ball of clear glass.
The Venetians revived the Roman millefiori (thousand flowers) techniqe of creating a design within a rod of glass. This was done by clustering together rods of different colours to form a design and then fusing these rods into one, pulling it out to make one long thin rod, and cutting it into sections. These sections were (and still are) cut into slices each slice with the same cross-sectional design (often a flower, sometimes a figure or a letter or date).
To make a millefiori paperweight, these slices of cane were put together to form a pattern which was picked up on a ball of molten glass and then shaped to form the paperweight. The resulting millefiori paperweight usually had a layer of canes with a dome of perfectly clear crystal glass over the top completely encasing the coloured sections. The Venetians exhibited this kind of paperweight at the Austrian Industry Exhibition in 1845. The French and the Bohemians had been developing similar ideas at about the same time.
The period from 1840 to 1860 is often referred to as the Classical Period of paperweight production. This was the time when the great French glassworks at Clichy, Baccarat, and St. Louis led the world with the quality and creativity of their paperweights. Other countries followed their lead, and in the USA two major paperweight manufacturers were the New England Glass Company and the Boston and Sandwich Glass Company.
Another important technique of making paperweights is by creating flowers, fish, animals, insects, etc. using lampworking techniques, and encasing these miniature items in a globe of glass, so creating a little artificial world trapped in a ball of glass.
Interest in making paperweights declined in the early years of the 20th century, and it was collectors such as Paul Jokelson in the USA who revived interest and encouraged glassmakers to make paperweights again.
Today's contemporary paperweight makers are producing some truly stunning creations, rivaling anything ever produced in the world. There are miniature botanical fantasy worlds from Paul Stankard; diatreta masterpieces by Barry Sautner; beautiful bouquets in glass from Victor Trabucco; Rick Ayotte's bird and flower scenes; Peter Raos's marine and floral scenes from New Zealand; to mention just a few of the master glassmakers. There are also studios and glassworks all around the world producing magnificent paperweights designed by artists and made by teams of glass workers. The great Baccarat glassworks in France, their rivals over many centuries, St Louis; several major USA studios, and from Scotland, J Glass, Perthshire Paperweights, and Caithness glass produce a steady flow of beautiful paperweights.
Collectors often ask what they should look for when buying paperweights. Beauty and desirability should come first, since there is little point in a paperweight collection you do not enjoy! But there are some technical flaws you should seek to avoid. The design itself should look perfect, not broken nor distorted nor off-centre. The glass dome should be sparklingly clear, and have no bubbles, specks, or flow lines in the glass.
If you are looking for glass paperweights, you can usually find items on offer on ebay
These items are for sale right now on eBay.com - we thought you would like to see these examples.
There are some very beautiful and helpful books on paperweights. Here are some that you should enjoy. Click on any book cover to read more about that book, including price and any available discounts for buying on-line.
INFORMATION about Bagley Glass!
At last a book on Bagley Glass. The first edition of this book sold out very quickly.
The 2nd Edition is now available and has received a rave response - more information, more and better pictures, new items identified as Bagley for the first time, a helpful index, and more compehensive coverage; - so much so that there is no need for a supporting CD, which brings the price lower!
A truly comprehensive guide to help you identify Bagley Glass.
Click on picture for more details.
2nd Edition US$33.90 plus pp.
INFORMATION about New Zealand Glass !
Including many original catalog pictures and dozens of photographs.
NOW available - this is the first paperback edition of the book
and it covers many contemporary New Zealand glass artists as well as
the history of glass in New Zealand, Crown Crystal Glass and New Zealand bottles.
Price US$29.90 plus pp.
Tiara Glass Collectors' INFORMATION
Click on the picture for more details.
This CD includes original catalogs and advertising leaflets.
There are seven full catalogs, five leaflets, and the 1995 Tiara Product Information Manual.
You may often find a bargain on half.com.
Click on this logo to try.
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